Logic X/APFS/macOS High Sierra
It was a winning weekend of tracking audio for approximately fifteen hours of live television broadcasting and internet streaming. A few of the programs were only half a dozen tracks, but most of the programs were talking-head panels or full blown music programs requiring 15-20 audio tracks. Beginning this week all of the audio, including dialogue, will be sweetened, fixed and where necessary, re-recorded, with the final output laid back to fully post-produced video. I have done this sort of thing for years, but what made it a bit of a nail-biter this year was that I decided to upgrade to macOS 10.13, alias, High Sierra. Hopefully it does not need to be said, but in case it does – yes – I was runnning a fully redundant tracking system on a completely different workstation. In the end, Logic X and High Sierra came through with flying colors.
I have always preferred to use Apple’s Logic X for this sort of thing, in fact, for audio tracking and post production, Logic X has pretty much negated the need for ProTools. Make no mistake, ProTools is a fine product and unarguably an industry standard, but it turns out that Logic X does just about everything ProTools can do and does it less expensively and is much more elegant to maintain and keep upgraded. All of the plug-ins I need are available in both ProTools and Logic X and in environments where audio and video are going to remain locked from recording through post, Logic really is a much more elegant tool. It’s a bit odd how Apple has clearly marketed their professional audio product to home musicians and electronic music composers, but the truth is, it makes the cost and, honestly, hassle of installing and maintaining ProTools pretty much unecessary.
As for the the OS update: Personally I look more for what’s going on under the hood of Apple’s upgrades and updates, for both hardware and software, and this year Apple’s new file system, APFS, represents what I think is going to be one of the most important core upgrades in quite some time. (And in case this needs to be said, I would not leap to upgade workstation to OS 10.13 in mission-critical scenarios. Give it time and for sure, wait until the ProApps system libraries are updated, which some think will be sooner than later.)
As for Logic X, I do continue to have some oddities with getting logic to function properly with incoming timecode from an external source, or the timecode stamps on incoming Video with audio. What’s weird is that these issues seem to be related to the relative time of day, so Logic will lock to TC just fine up to a certain time of day and after that I have problems getting it to lock properly, and these issues are 100% repeatable. I’ve already done some tech calls to Apple and they are assuring me that they can get the issue resolved – let’s see what happens. I’m thinking one reason issues like this slip through the cracks is that there’s not enough industrial/pro use going on at the level ProTools has, so little but important things get by.
That’s all for now, just wanted to give a report on taking the plunge in a critical production scenario with macOS 10.13 and Logic X. Please leave comments in any form – praise, reprisals, objections, rebuttal and funny faces – below.